But I think that one of the things that's most important is the pressure to look at arts organizers, arts administrators as somehow coming from this mystique of the business world and it's so important that they be corporation copies, and I hope they're going to resist that firmly and know that their strength and their future and their real career lie with the tightest association that they can possibly manage with artists themselves, because to build in significant places of the leadership women who are looking to the corporate world for the structure and the management of their job, the bottom is going to fall out if they are not close, intimate understanding and I personally feel, to some extent practicing artists in some discipline or other so they know what the creative process is.
