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Showing posts with label The First Show of 1984. Show all posts
Showing posts with label The First Show of 1984. Show all posts

Monday, May 30, 2022

'frenetic search for Experience and Sensation' - bevrichey@gmail.com - Gmail

'frenetic search for Experience and Sensation' - bevrichey@gmail.com - Gmail

from Roberta Chambers


/seyless@sbcglobal.net

Sun, May 29, 11:16 PM (5 hours ago)
to me

                                                                               A person sitting in a chair holding a doll

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Hi Bev!

  What a delightful note you sent after we talked! I certainly appreciated it too, both from a mental perspective and how it knits our friendship together. I thought about ‘Relax’ afterward. At the time [and still now] I meant it not just like a Rat Race vs Stop and Smell the Roses but also as a bid to value ‘satisfaction.’ In a culture where success is defined by how much money you make or have – getting satisfaction from nonmaterial things or things that can’t be owned, like nature, had become devalued. Deciding for myself what is valuable and not accepting what is treasured by our society as necessarily being The Goal to be reaching for – has been a guiding factor in my life.

   You asked how I knew back then. When I was 14 a became friends with a girl who had just moved to New Haven from a politically Liberal and artsy Manhattan life. She introduced me to the music of Bob Dylan, who had a couple of acoustic guitar LPs out, Phil Ochs, Joan Baez, etc. and together we joined the Student Nonviolent Coordinating Committee (SNCCwhich was promoting Civil Rights. It made me realize that even the way we valued people—or not – needed a lot of changing. When I was 15 I was standing on the New Haven Green with some longhaired friends and a couple of Jehovah’s Witness ladies came over and handed us copies of The Watchtower saying “We usually charge a dollar for these but we think you need to read it.” Reading it on my bed that evening, an article warned against of dangers & evils of the writings of Allen Ginsburg, Jack Kerouac, etc.  I had been to Beatnik-themed birthday parties as a kid but only knew about the stereotypes associated with them. This stuff sounded intriguing! Do you remember on Broadway [somewhere between Cutler’s Records and the Rexall Drugstore on the corner] there was a Whitlock’s book store? They had a wooden cart on wheels they’d put outside with marked-down books. I found an original run copy of On the Road. This is what the cover looks like [speaking of stereotypes!]:

                                                                             A picture containing text

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  That led to whole new ways of thinking. Then there was the Beatles introducing us to Eastern thought; an older guy [college student] suggesting I read Alan Watts on Zen Buddhism plus some major insights while on psychedelics. At 18 I set out for California to see what utopia I could find. I was too late but the Peace & Love and Back to the Earth aspects of the Hippie movement helped to re/form my values. At 20 I began a journey to India which taught me a ton about my tiny place in this universe. As an artist who typically didn’t ever generate much income but felt success when I created something that astounded me – recalibrating values again.

   Yesterday we went to a gathering at Armando’s. His friend Nora was there. I met her at our opening at the New Haven Museum. She said her husband was the guy in the photograph. The banner of our show is still draping the front of the museum.

                                                                             A person smiling next to a framed picture

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       have a Happy Memorial Day,

Monday, March 21, 2022

Mixed Use - Daily Nutmeg FACTORY

Mixed Use - Daily Nutmeg

"Covering nearly two city blocks along Hamilton Street, the massive space, where untold New Haveners produced and assembled timepieces, became the perfect place for those who preferred to fly under the radar. Among them were the Papier Mache Video Institute (PMVI), founded in 1978 by Paul Rutkovsky, an artist and a fellow at Harvard’s Institute for the Study of the Avant-Garde, and later taken up by experimental artist Beverly Richey. She created a legendary one-day exhibition at the factory in 1983 titled 1984, which 700 visitors lined up to see. PMVI took on the issues of the day—issues not likely to be addressed by mainstream galleries and museums—including “feminism, war, capitalism, elitism, Urban Renewal and ‘TV mono-culture.’” Artifacts of the group’s life inside the factory are on view in Factory, including video footage of multimedia installations (made, in part, of papier mâché), a performance piece on “how to draw a sink” and artists at work and in video portrait closeups.

Friday, February 28, 2020

Secret "Factory" Life Exposed, Preserved | New Haven Independent

Secret "Factory" Life Exposed, Preserved | New Haven Independent
"Whatever hidden working and living was going on there, in time it became more public. There was the Papier Mache Video Institute (PMVI) was founded in 1978 by Paul Rutkovsky, who was “a fellow at Harvard’s Institute for the Study of the Avant-Garde” (which, sadly, no longer seems to exist). PMVI “was a group that focused on activist art of a transient nature not typically found in museums and galleries. They took on issues of feminism, war, capitalism, elitism, urban renewal, and ‘TV monoculture” with works of music, dance, poetry, visual art, performance, mixed media, and of course papier-mache and video.” TVs were smashed. Videos were made. There was an annual Miss America event in which women and men competed.

As the notes relate, “Rutkovsky and crew established their work and exhibition space on the wide-open fourth floor of the north side of the factory. They had open reign to create freely and host events, gradually spreading and taking over space along the west side (Hamilton Street) as well…. When Rutkovsky became a professor at Florida State University, colleague Beverly Richey took over and did groundbreaking work in feminist art and the subject of food as a political statement.” A one-day-only exhibition in 1984, entitled “1984,” “had a crowd of over 700 visitors lining up around the block.”

Sunday, January 26, 2020

Paul Rutkovsky; Correspondence February 1984

(estimated date: Feb 1984)

Just thinking about PMVI and 
the 84 Show - Buy and Sell, etc, 
and how exciting it is to realize
that all that activity demands some 
cooperation and attention!

of course - I'm thinking about 
this in Florida -

Love, Paul

I like to think that the New Haven 
pettiness has evaporated ! ?

FB ARCHIVE; PMVI HISTORY POST