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Showing posts with label Bev Richey. Show all posts
Showing posts with label Bev Richey. Show all posts

Thursday, June 2, 2022

Pandemic art and more – local Jewish artists featured at Urban Ecology Center exhibition | Wisconsin Jewish Chronicle


Pandemic art and more – local Jewish artists featured at Urban Ecology Center exhibition | Wisconsin Jewish Chronicle

Sofia Rubinson  | June 2, 2022 | 3 Sivan 5782

After years of social distancing and independent creation, the Urban Ecology Center will feature artwork created by Milwaukee artists throughout the pandemic. 

Four local Jewish artists are hosting an exhibit at the Riverside Park location, open now through July 31, 2022, titled “Four The First Time,” with the underlying themes of nature and abstract expressionism. This exhibit marks the first time these artists are collaborating to create an immersive experience for visitors. 

Bev Richey, one of those artists, is a New Haven native with a strong background in psychology and art. When she settled in Milwaukee as an adult, she acclimated to the Milwaukee art scene by getting involved in the Jewish Artists Lab, of the Harry & Rose Samson Family Jewish Community Center. The program put Jewish artists together regionally to create an exhibition after a 10-month learning experience. 

Richey creates abstract expressionist paintings based on what it means to live as a liberated human being. 

“In Judaism, the task, like in most spiritual situations, is ultimately to liberate the soul,” Richey said. “If you take apart the Passover story, it’s about developing relationships with a liberated self.” 

At the exhibition, Richey will feature a series based on the COVID-19 pandemic. In the true form of an abstract expressionist, she does not have a premeditated design or title and will step up to the canvas and let the painting come out. 

“At the beginning of the pandemic, we had no idea what was going on and things were falling apart,” Richey said. “If you look at the piece, I am squeezing paint out of a tube, almost like I am patching the world back together, similar to the repair side of Judaism.” 

Miriam Sushman specializes in stained glass mosaics and was the initial organizer of the group. Her artwork is inspired by nature, and she did a series on houseplants and Wisconsin birds for the exhibition. 

“There’s a lot in the Talmud concerning Jewish law about how to handle land with respect to the land, but also the effects nature has on people,” Sushman said. “That’s how I incorporate Jewish values into my art.” 

Although she had always been active as an artist, she discovered her passion for mosaics when she moved to Wisconsin in the early 2000s. Since then, she has been teaching others at the Sharon Lynne Wilson Center for the Arts, the senior living community Saint John’s On The Lake and the Grand Avenue Club. 

“The Grand Avenue Club is a resource center for people who experience mental illness,” Sushman said. “I taught members how to create a mosaic through a community mural featuring fish from Lake Michigan.” 

At the exhibit, Sushman is excited to share her artwork not just on the walls, but also interactive on the ground with her stepping stones. 

“It’s at the Urban Ecology Center, which tries to bring nature education to children and adults in Milwaukee, so the stepping stones are a perfect match, even though usually in an exhibit art goes on the walls,” Sushman said. 

The other artists include Adria Rose, whose artwork is also inspired by nature and uses mixed media and watercolor to create fine art. Jonathan Ellis is a visual artist who develops a contemporary style rooted in truth, love, humor and theory. 

“The pandemic was really isolating, and as artists, we spend a lot of time working alone anyway,” Sushman said. “Human nature and human connection, those are the most important aspects of our work,” Richey added. 

 * * *

How to go 

What: “Four The First Time,” with art by Jonathan Ellis, Beverly Richey, Miriam Sushman and Adria Willenson. 

Where: Urban Ecology Center, Riverside Park location, 1500 E. Park Place, 
Milwaukee 

Contact: 414-964-8505, UrbanEcologyCenter.org 

Posted by BEV RICHEY at 12:21 PM
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Labels: #Artist, #Four the first time, Bev Richey, FOUR THE FIRST TIME

Thursday, April 28, 2022

"FOUR THE FIRST TIME"/PRICE LIST (FTFT)Shared Painting labels - Google Docs

Shared Painting labels - Google Docs

FOFOUR THE FIRST TIME  EXHIBIT LABELS

May 18-July 31,2022





BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#46 “FREE/ASSOCIATIONS” 2022 


ACRYLIC ON CANVAS

Triptych 14”x42”

1,400






BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#44 “COLOR OF CHAOS” 2022


ACRYLIC ON CANVAS

48”x48”

3,600




BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#43 "START/ANYWHERE" Homage to Drawing",2022


ACRYLIC ON CANVAS

30”x48”

2,900





BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

 #45 "GREENSCAPE" Signs of Life/Homage to Drawing"2022

ACRYLIC ON CANVAS

24"x36"

NFS




BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#39A "RUPTURE" 2020

ACRYLIC ON CANVAS

Diptych 36X48" (each canvas)

3,100




BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#39B "RUPTURE" 2020

ACRYLIC ON CANVAS

Diptych 36X48"  (each canvas)

3,100




BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#40 A&B “REENVISIONING SHAPE” 2020

ACRYLIC ON CANVAS

Diptych 10X40”  (combined)

1,200



BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#29 "TAKING/SHAPE" 2017

ENAMEL HOUSE PAINT ON CANVAS

36X48" 

3,100



BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#12 "CELLULAR/STARTS" 2016


ENAMEL HOUSE PAINT ON CANVAS

36X48" 

3,100



BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#18 “UNTITLED” 2017


ACRYLIC PAINT ON CANVAS

36X48" 

3,100




ESTIMATED HANGING SPACE: 118in = 9ft 10in with 6in+ spacing


BELOW: ESTIMATED HANGING 190in=15ft 10in with 6in+ spacing


Posted by BEV RICHEY at 1:30 AM
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Labels: ART, Bev Richey, Beverly Richey, Exhibit, FOUR THE FIRST TIME, MILWAUKEE ART, PAINTINGS. FIRST HUNDRED PAINTINGS. FHPS, UBAN ECOLOGY CENTER, UEC

Tuesday, March 22, 2022

FHP Untitled FHP FIRST HUNDRED PAINTINGS PROJECT #40 - Google Photos


Untitled FHP FIRST HUNDRED PAINTINGS PROJECT #40 - Google Photos
Posted by BEV RICHEY at 7:12 PM
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Labels: Artist, Bev Richey, Beverly Richey, FHP, FHPP, FHPS, FIRST HUNDRED PAINTING PROJECT, FIRST HUNDRED PAINTINGS SERIES

Monday, March 21, 2022

Mixed Use - Daily Nutmeg FACTORY

Mixed Use - Daily Nutmeg

"Covering nearly two city blocks along Hamilton Street, the massive space, where untold New Haveners produced and assembled timepieces, became the perfect place for those who preferred to fly under the radar. Among them were the Papier Mache Video Institute (PMVI), founded in 1978 by Paul Rutkovsky, an artist and a fellow at Harvard’s Institute for the Study of the Avant-Garde, and later taken up by experimental artist Beverly Richey. She created a legendary one-day exhibition at the factory in 1983 titled 1984, which 700 visitors lined up to see. PMVI took on the issues of the day—issues not likely to be addressed by mainstream galleries and museums—including “feminism, war, capitalism, elitism, Urban Renewal and ‘TV mono-culture.’” Artifacts of the group’s life inside the factory are on view in Factory, including video footage of multimedia installations (made, in part, of papier mâché), a performance piece on “how to draw a sink” and artists at work and in video portrait closeups.
Posted by BEV RICHEY at 2:04 PM
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Labels: 1984, ARTICLE, Bev Richey, Beverly Richey, Factory, FACTORY EXHIBIT, New Haven Museum, Paul Rutkovsky, PMVI, The First Show of 1984

Artists Go Back In Time At Ex-Clock Factory | New Haven Independent PMVI

Artists Go Back In Time At Ex-Clock Factory | New Haven Independent

Posted by BEV RICHEY at 1:29 PM
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Labels: Bev Richey, Beverly Ricey, Factory, FACTORY EXHIBIT, Papier Mache Video Institute PMVI, PMVI

Thursday, March 10, 2022

Artspace Asks: "Who Governs?" ABBC BEV RICHEY CAKE

Artspace Asks: "Who Governs?"
Posted by BEV RICHEY at 7:39 AM
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Labels: ABBC, AMAZING BUREAUCRATIC BIRTHDAY CAKE, Art Collaboration, ARTICLE, Artist, ARTSPACE, Bev Richey, Beverly Richey, Cake Art

Friday, March 4, 2022

WOMEN IN THE ARTS - WIA Google Photos

UNDER CONSTRUCTION:

WOMEN IN THE ARTS - Google Photos





Posted by BEV RICHEY at 11:41 AM
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Labels: ARTS CALENDAR, Bev Richey, Ct, INTERNATIONAL WOMAN'S DAY, Judy Chicago, new haven, POSTER, VISUAL ARTISTS, WOMEN IN THE ARTS

Wednesday, March 2, 2022

FHP: COLOR OF CHAOS / HOMAGE TO DRAWING SERIES - FHPP Google Photos


COLOR OF CHAOS / HOMAGE TO DRAWING SERIES - Google Photos
Posted by BEV RICHEY at 2:53 PM
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Labels: Bev Richey, Color of Chaos, FHP, FHPP, FHPS, First Hundred Paintings Project, Homage to Drawing, Painting, Unraveling

Sunday, February 27, 2022

FHP: RUPTURED 2020 - Google Photos

RUPTURED 2020 - Google Photos



Posted by BEV RICHEY at 5:13 PM
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Labels: 2020, Bev Richey, CANVASES, FHP, FHPP, FHPS, FIRST HUNDRED PAINTING PROJECT, Painting, RUPTURED

FHP 2N4U2C* 2019 2BPrinted FINAL BIO: COPY - GDocs

2BPrinted FINAL BIO: COPY - Google Docs

 


ARTIST BIO: BEV RICHEY

    Born in New Haven, CT, USA Bev Richey was exposed early in life to the separation of head and heart and raised in an intellectual community while living in a spiritually intuitive Jewish home.

This early dichotomy continues to inform her art practice.. 


    As an artist, arts organizer, and arts administrator she encouraged and supported artists and non-artists alike to work together on ephemeral public artworks. This work reached a pinnacle with a commission by the city of New Haven that incorporated over a hundred active participants from diverse backgrounds working together to develop and deliver over 3500 pieces of birthday cake free to the New Haven community. 


    Having accomplished numerous artistic goals related to community and inclusivity, Richey was then ready to move on. Her experience growing up in a deeply divided community created an interest in exploring issues related to private versus public. This made the midwest fertile ground for her interests. Settling on a ridge in the driftless region of Wisconsin, Richey was inspired and informed by the natural world as well as the nearby small but diverse communities.  


A move to Milwaukee a decade later brought the opportunity for her to re-engage in urban culture. She was able to advance her interest in Art History studies at UWM and in 2013 joined the Midwest Jewish Artists Laboratory. The Midwest Jewish Artists’ Laboratory was founded and directed by Jody Hirsh, Jewish Education Director f funded by the Covenant Foundation. It was founded and directed by Jody Hirsh, Jewish Education Director at the JCC became central in Richey’s art life.  She credits the focus of a yearly theme of study,  semi-monthly sessions with an annual exhibition requirement, combined with developing relationships with other Jewish artists, as a critical factor in her current studio practice. After six years of active LAB participation, Richey remains committed.

    Richey has an undergraduate degree in psychology followed by university studio art classes, an artist apprenticeship, and advanced studies in Art History. In her early years working as an arts administrator,  she co-founded and co-directed several artists’ organizations while serving on local nonprofit arts boards.

 

    Richey continues to keep up with developments in the field of neuropsychology including neurotheology.  She is currently focusing on the role the mind plays in the physical and spiritual realms. Her work is informed by scientific research, as well as ancient and contemporary spiritual teachings. 

September 2019

Milwaukee, Wi. USA







Posted by BEV RICHEY at 7:24 AM
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Labels: 2N4U2C*, Artists Bio, Bev Richey, Bio, FHP, Final Copy of Bio, FIRST HUNDRED PAINTINGS SERIES, Milwaukee Art Life, Rewire4Desire

Thursday, February 24, 2022

FHP: ARTISTS STATEMENT/ working document/ 2NU4U2C* - Google Docs



Artist statement 2NU4U2C* - Google Docs

This is not a final draft.. it is and unedited working document


Posted by BEV RICHEY at 6:50 AM
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Labels: Artist, Bev Richey, Beverly Ricey, FHPP, FIRST HUNDRED PAINTING PROJECT

MJAL Duality/Unity Artist’s Statement: Bev Richey - Google Docs

MJAL Duality/Unity Artist’s Statement: Bev Richey
Artist’s Statement: Bev Richey

These works relate to the theme of the place of the artist in several ways. They are of this current moment exploring and expressing issues related to the awareness of self and interconnectedness with others. They explore duality, unity, transmission, transformation, and the messiness and necessity of it all. 


We are living in a moment when scientists and mystics alike are coming together to share their insights on consciousness. What does this have to do with Jewishness? In a most basic way.. Jews have been asking these types of questions for centuries. We are living in an age of connectedness and disconnectedness with both ourselves and each other. The Jewish experience includes both an inward and outward journey. As Jews, we develop our inner spirituality but we must also function in community. 


As an artist, I am aware of the necessity to prepare and practice for the accelerated changes we are currently experiencing and will continue to witness in the coming decades. This diptych records the results of a desire to express insights and beliefs related to inner awareness, outer connectedness, and my need as an artist to function as part of the greater whole.  


Midwest Jewish Artists Laboratory 2019

Milwaukee, Wisconsin, USA


Posted by BEV RICHEY at 5:46 AM
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Labels: ARTISTS STATEMENT, Bev Richey, DIPTYCH, DUALITY, FIRST HUNDRED PAINTINGS SERIES, MJAL, UNITY

Monday, November 16, 2020

Still Serving the People; a reunion of the A-mazing Bureaucratic Events Archive | Artspace New Haven


Serving the People; a reunion of the "A-mazing Bureaucratic Birthday Cake"

Local Art Community Collaborators
photo credits: Timothy Feresten


Wednesday, Nov 18, 2020, from 7:00 PM to 8:00 PM EST.

Location:  Zoom Sign-in Link 

For New Haven’s 350th-anniversary festival coordinator Bob Gregson commissioned local artist Bev Richey to create an interactive cake experience. Richey’s A-mazing Bureaucratic Birthday Cake (Serving the People 3500 Pieces…) included artists, activists, lawyers, civic administrators, and their friends into the weeks of bureaucratic planning needed to share thousands of pieces of free cake on the New Haven Green in June 1988.  

Join Arts Community Collaborators

Jeff Burnett, Margaret Bodell, Roberta Chambers, Bitsie Clark, Nikila Cole, Mimsie Coleman, Bill Derry, Tim Feresten, Bob Gregson, John Landino, Bev Richey, Johnes Ruta, Amy Seham, Mary Shiffer, and more for an A-mazing reunion as they share memories, stories, and lessons from the experience.

FREE and OPEN to the PUBLIC

USE THIS LINK TO JOIN OUR LIVE ZOOM AUDIENCE @ 7 PM EST. 

Join Zoom Meeting
https://us02web.zoom.us/j/84458188840?pwd=bmFtN1RkNFk2Sm40ZmFHNFhFZjJGdz09


Posted by BEV RICHEY at 3:55 AM
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Labels: ABBC, Art Collaboration, Artspace New Haven, Bev Richey, Beverly Richey, Cake Art, Collaboration

Thursday, November 12, 2020

Materials Related to: The Amazing Bureaucratic Birthday Cake 1988 - Google Docs

Materials Related to:

The Amazing Bureaucratic Birthday Cake 1988

BEVERLY M. RICHEY

bevrichey@gmail.com

 

 

On June 4-5, 1988, New Haven Connecticut celebrated its 350th anniversary

with a marathon festival on the Green. The festival was

called "New Haven Celebrates New Haven" and it was a microcosm of every

neighborhood group, civic organization, cultural association, arts

organization, and political leader–condensed together. It began with a

parade of neighborhoods led by Mayor DiLieto and Governor O'Neill -- and concluded

the next evening with everyone waltzing together -- filling the entire Green. I

n between people got a piece of birthday cake from the satiric "bureaucratic cake commission."

Over 200,000 attended during the two days. Video Credit: Robert Gregson

Video link here: https://vimeo.com/12903360



New Haven Arts

June 1988

Publication of the Arts Council of Greater New Haven

The A-Mazing Bureaucratic Birthday

By Mimsie Coleman

 



New Haven Register 

Sunday, June 5, 1988

No 'just desserts' on this birthday cake

By Barbara Steinberger

 

 



New Haven Register 

June 1988

A Cake by Committee transient Art an amazing part of 350th 

By Markland Taylor




Google Working Album


“The google doc album looks fantastic! I so enjoyed
taking the trip through the planning, the construction,
the decorating, and the event which your collection
provides. It’s well done – congrats on digitizing,
laying out, including/not including, and making
it internet-able. ” Roberta Chambers 2020


Posted by BEV RICHEY at 5:55 AM
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Labels: Artspace New Haven, Bev Richey, Beverly Richey, Cake, Frank Mitchell, Let Them EAT Cake, Public Art, Public Art Collaboration, Roberta Chambers, The A-mazing Bureaucratic Birthday Cake

Wednesday, November 11, 2020

RICHEY PMVI AVANT-GARDE ROOTS Jason Bischoff-Wurstle: FACTORY Weekly ep. 4 - PMVI- The Papier Mache Video Institute


"PMVI- The Papier Mache Video Institute, New Haven’s premier DIY avant-garde artists collective that hosted the legendary “1984” exhibition, the largest Elm City underground art show in the 1980s." The New Haven Museum 2020

New Haven Museum presents a What Were We Thinking Films series: FACTORY weekly A 10-week dive into the underground, postindustrial history of the New Haven Clock Company Factory with “FACTORY” exhibit curator Jason Bischoff-Wurstle. Featuring new archival photos and documentary footage. Can’t make it to the museum? We’re bringing the exhibit to YOU. Find it on Facebook, Instagram, Youtube, and www.newhavenmuseum.org.

"PMVI- The Papier Mache Video Institute, New Haven’s premier DIY avant-garde artists collective that hosted the legendary “1984” exhibition, the largest Elm City underground art show in the 1980s." New Haven Museum

Special Thanks to Jason Bischoff-Wurstle the curator of this exhibit at the New Haven Museum, with the support of Bill Kraus and Gorman Bechard Director of the soon-to-be-released documentary film "FACTORY" exploring the history of the Hamilton Street Clockworks building.


CURT PARDEE SHARES MEMORIES OF HIS EXPERIENCE AS AN ARTIST IN THE 1984 SHOW 


LIVE FACEBOOK POST OF PHOTOS FROM THE  ORIGINAL EXHIBIT:

Over fifty photos with information links from the One Night Only 1984 Show on FB platform. 


"First Show of 1984" based on George Orwell's novel

Co-Directed by Beverly Richey and Paul Rutkovsky

PARTICIPATING ARTISTS (in reverse alphabetical order as appeared on the Iconic invitation designed by Curt Pardee (seen in this video)

MICHAELVUKSTA  DELIGHTWORTHYN   BENWESTBROCK    ANDREAROSSI    BEVERLYRICHEY    CURTPARDEE   SUSANORANGE    BOBLEHMAN   JANETLEHMANN    DENISELEGTERS    JAMESHERSEY     BETSYHAYNES    JACKHARRIETT   TIMFERESTEN    JOEFEKIETA    MAGGIEENS    BEVERLYELIASOPH     REBECCADOUGHTY    MARQUED'OR    MARIDEPREDO    PHILLIPCHAMBERS    ROBERTACHAMBERS    ANNABRESNICK    DAVIDBRENNAN


Sadly Beverly Eliasoph, Susan Orange, and Ben Westbrock have passed away. 

They are missed. 

Posted by BEV RICHEY at 7:48 PM
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Labels: 1984, Bev Richey, Beverly Richey, FACTORY EXHIBIT, Hamilton Clockworks building, Jason Bischoff-Wurstle, New Haven Arts, New Haven Museum, Papier Mache Video Institute, Paul Rutkovsky, PMVI

some pix - bevrichey@gmail.com - Gmail

some pix - bevrichey@gmail.com - Gmail

   "The google doc album looks fantastic! I so enjoyed taking the trip through the planning, the constructing, the decorating and the event which your collection provides. It’s well done – congrats on digitizing, laying out, including/not including and making it internet-able. I’ve saved most of it to my hard drive. Studying the display at Artspace someone might piece it all together but, unless I missed a blurb, there is no overview, nothing tells really what made it unique, what happened at the ABBC, it’s mayor [unwittingly] sanctioned sly spoof on bureaucracy." Roberta Chambers 2020


Photo Credits: Roberta Chambers



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Nov 9, 2020, 9:17 PM (2 days ago)
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Posted by BEV RICHEY at 6:27 AM
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Labels: ABBC, Artist, Artspace New Haven, Bev Richey, Beverly Richey, Frank Mitchell, Public Art Collaboration, Robert Gregson, Roberta Chambers, The A-mazing Bureaucratic Birthday Cake
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