"FOUR THE FIRST TIME"/PRICE LIST (FTFT)Shared Painting labels - Google Docs

Shared Painting labels - Google Docs

FOFOUR THE FIRST TIME  EXHIBIT LABELS

May 18-July 31,2022

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#46 “FREE/ASSOCIATIONS” 2022 

ACRYLIC ON CANVAS

Triptych 14”x42”

1,400

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#44 “COLOR OF CHAOS” 2022

ACRYLIC ON CANVAS

48”x48”

3,600

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#43 "START/ANYWHERE" Homage to Drawing",2022

ACRYLIC ON CANVAS

30”x48”

2,900

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

 #45 "GREENSCAPE" Signs of Life/Homage to Drawing"2022

ACRYLIC ON CANVAS

24"x36"

NFS

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#39A "RUPTURE" 2020

ACRYLIC ON CANVAS

Diptych 36X48" (each canvas)

3,100

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#39B "RUPTURE" 2020

ACRYLIC ON CANVAS

Diptych 36X48"  (each canvas)

3,100

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#40 A&B “REENVISIONING SHAPE” 2020

ACRYLIC ON CANVAS

Diptych 10X40”  (combined)

1,200

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#29 "TAKING/SHAPE" 2017

ENAMEL HOUSE PAINT ON CANVAS

36X48" 

3,100

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#12 "CELLULAR/STARTS" 2016

ENAMEL HOUSE PAINT ON CANVAS

36X48" 

3,100

BEVERLY RICHEY

FIRST HUNDRED PAINTINGS SERIES

#18 “UNTITLED” 2017

ACRYLIC PAINT ON CANVAS

36X48" 

3,100

ESTIMATED HANGING SPACE: 118in = 9ft 10in with 6in+ spacing

BELOW: ESTIMATED HANGING 190in=15ft 10in with 6in+ spacing

Richey Wikipedia - Google Docs

Richey Wikipedia - Google Docs

Beverly M. Richey (born April 25, 1953) is an American artist known for her work in cake, waste, feminist art, political conceptual performances, early social engagement and the significance of local issues in creating art. (foot note?)

 

Lenore Tawney (born Leonora Agnes Gallagher; May 10, 1907 – September 24, 2007) was an American artist known for her drawings, personal collages, and sculptural assemblages, who became an influential figure in the development of fiber art.[1]

 

Early life and education[edit]

The younger of two children born in New Haven, Ct to  American born Jewish parents Helen Liner Richey and Herman Richey. She left home at 18 to begin her college studies. Richey attended Upsala College in East Orange, NJ for a semester before returning to New Haven, Ct where she worked to support herself and began studies at South Central Community College. Upon completing that she moved to Storrs Ct to continue to study psychology at the University of Connecticut.

CAKE: Facebook Post WCA CAKE/Beverly Richey NYC

Facebook

https://www.facebook.com/photo/?fbid=10157148787628191&set=gm.534062700529029

UNDER CONSTRUCTION: LINKS TO ZOOM SELF PORTRAITS AND OTHER UNEDITED ZOOM IMAGES:

 

LINK TO UNEDITED ZOOM PHOTO ALBUM:

Drawings - Google Photos

Drawings - Google Photos

FHP: Ukraine Triptych First Hundred Paintings - Google Photos

Ukraine Triptych FHPS First Hundred Paintings - Google Photos

FHP: NOTICE/NINE CARD PROCESS/ FIRST HUNDRED PAINTINGS - Google Photos

NOTICE/NINE FIRST HUNDRED PAINTINGS - Google Photos FHP

FHP Untitled FHP FIRST HUNDRED PAINTINGS PROJECT #40 - Google Photos

Untitled FHP FIRST HUNDRED PAINTINGS PROJECT #40 - Google Photos

FHP: First Hundred Painting Series/Project #54 - Google Photos

Google Photo Album link: 

Google Photo Album link: 

android/Phone cakes - Google Photos

android/Phone cakes - Google Photos

1980'S NEW HAVEN ARTISTS UNITED-ONLINE ARCHIVE | ***FYI: I worked on this post as a way to prepare for the exhibit at the New Haven Museum | Facebook

LINK TO FB POST:1980'S NEW HAVEN ARTISTS UNITED-ONLINE ARCHIVE | 

FYI: I worked on this FB post in 2019 as a way to prepare for the exhibition at the New Haven Museum, Ct.

It is has over 50 IMAGES with INFORMATION LINKS.

Documenting the exhibit in a post....

PMVI "The First Show of 1984"

"1984 began early in New Haven when 700 people waited in the cold two weeks ago to see a multi-media art show based on the themes of Orwell's novel. Sponsored by the Papier Mache Video Institute, the show was held in a large industrial loft off Hamilton Street. By most accounts, it was a smashing success. It certainly wasn't just another white wine and cheese affair..." Mary Beth Bruno, New Haven Advocate Vol. X No.15 November 23, 1983

FULL ARTICLE HERE: https://mymuseumess.blogspot.com/2013/08/1984.html...

Jason Bischoff-Wurstle, Bill Kraus, Gorman Bechard

CONNECTICUT GUIDE - The New York Times Buy and Sell Bev Richey

CONNECTICUT GUIDE - The New York Times

Mixed Use - Daily Nutmeg FACTORY

Mixed Use - Daily Nutmeg

"Covering nearly two city blocks along Hamilton Street, the massive space, where untold New Haveners produced and assembled timepieces, became the perfect place for those who preferred to fly under the radar. Among them were the Papier Mache Video Institute (PMVI), founded in 1978 by Paul Rutkovsky, an artist and a fellow at Harvard’s Institute for the Study of the Avant-Garde, and later taken up by experimental artist Beverly Richey. She created a legendary one-day exhibition at the factory in 1983 titled 1984, which 700 visitors lined up to see. PMVI took on the issues of the day—issues not likely to be addressed by mainstream galleries and museums—including “feminism, war, capitalism, elitism, Urban Renewal and ‘TV mono-culture.’” Artifacts of the group’s life inside the factory are on view in Factory, including video footage of multimedia installations (made, in part, of papier mâché), a performance piece on “how to draw a sink” and artists at work and in video portrait closeups.

Clock Shop Factory Winds Back, Then Looks Forward

Clock Shop Factory Winds Back, Then Looks Forward

Work on this post: Bradley Manning | dpduckworth blog post, photos of projections tow youtubes

Bradley Manning | dpduckworth

 

photos of Detainee: The above photographs without captions are from the performance Detainee, organized and performed by the author at The Roger Smith Hotel, New York, from January 29 to February 3, 2007, in collaboration with Beverly Richey (image projection), Max Yawney (wall painting and performance), Patrick Todd (sound composition) and a host of artists and non-artists who participated as interrogators.  The photographs are unattributed.  The performance was filmed by a bystander and posted at YouTube.  It can be viewed at: http://www.youtube.com/watch?v=mFlQv7XeMys

FROM PERFORMANCE at JONATHAN SHORR GALLERY SEPTEMBER 2006

Waterboarding: Last Gasp for Habeas Corpus and the Geneva Conventions, Jonathan Shorr Gallery, 109 Crosby St., New York, September 30, 2006. PERFORMANCE ARTIST, multi-media performance in collaboration with sculptor John Landino, digital artist Beverly Richey, and participation from gallery and neighborhood visitors and passersby. https://www.youtube.com/watch?v=c9L5PcUHkTg

Detainee1- "Detainee" , The Lab, Monday, January 29 through Friday, February 2, 2007. "Detainee"

The Roger Smith Hotel Art Gallery, The Lab, Presents "Detainee"

Art Explores Politics in a Dehumanizing Environment Created with Paint and Digital Projections.

Detainee links the image of the United States of America with its recent decision to implement the Military Commissions Act of 2006, focusing within this performance work on the absolute power that the State has determined is within its moral and political prerogative to hold over any individual. David Duckworth, as a bound blindfolded detainee, becomes the paintbrush with which interrogators paint the American Flag on the floor of the gallery. Digital projections by Beverly Richey, painted walls by Max Yawney, and sound compositions by Patrick Todd, augment this central action by creating an environment in which detached governmental roles in a dehumanizing process is explored.

The Roger Smith Hotel is committed to relaying all types of performance and fine art to the public through its gallery and all of its wall space. With the combination of The Lab's prime location in midtown (Manhattan) and the intensity of Detainee, it is sure to attract the attention of the public. It is both courageous and bold to become involved with such an influential piece of art during such an uncertain time.

Uploaded on Feb 5, 2007 by George Antilla

(I felt the need to share this brilliant artistic creation through video, and want to thank its creators!! The following is an excerpt description regarding this live multi-media art exhibit I taped in NYC. "THIS VIDEO MAY NOT BE SUITABLE FOR CHILDREN DUE TO GRAPHIC IMAGES") 

"Detainee", a mixed-media, action-oriented and interdisciplinary collaboration was presented at The Lab, Monday, January 29 through Friday, February 2, 2007. "Detainee" links the image of the United States of America with its recent decision to implement the Military Commissions Act of 2006, focusing within this performance work on the absolute power that the State has determined is within its moral and political prerogative to hold over any individual. David Duckworth, as a bound and blindfolded detainee, becomes the paintbrush with which interrogators paint the American flag on the floor of the gallery. Digital projections by Beverly Richey ,
Roger Smith

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"Detainee", a mixed-media, action-oriented and interdisciplinary collaboration was presented at The Lab, Monday, January 29 through Friday, February 2, 2007. "Detainee" links the image of the United States of America with its recent decision to implement the Military Commissions Act of 2006, focusing within this performance work on the absolute power that the State has determined is within its moral and political prerogative to hold over any individual. David Duckworth, as a bound and blindfolded detainee, becomes the paintbrush with which interrogators paint the American flag on the floor of the gallery. Digital projections by Beverly Richey, painted walls by Max Yawney, and sound compositions by Patrick Todd augment this central action by creating an environment in which detached governmental roles in a dehumanizing process are explored. Movement by David Duckworth with Albert Crudo, William Donovan, Katelan Foisy, John Landino, Matthew Mark Meyer, Barbara Weinstein, and Max Yawney; digital projections by Beverly Richey, painted wall by Max Yawney, and sound compositions by Patrick Todd. People. Place. Ideas. Art. Culture. Stories. Roger Smith. Your New York City experience. To make a reservation at The Roger Smith hotel NYC, contact us at (212) 755-1400 or visit http://bit.ly/BookRogerSmith Web: http://rogersmith.com Blog: http://rogersmithlife.com FB: http://facebook.com/rogersmithhotel Twitter: http://twitter.com/rshotel Instagram: http://instagram.com/rshotel

Music in this video

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Song

Afterimage / Une Aventure Extraordinaire Arrivée à Vladimir Maiakovski, en été à la Datcha

Artist

DJ Spooky, Yoshio Machida, Vladimir Maiakovski

Album

Rhythm Science

Licensed to YouTube by

Believe Music (on behalf of Subrosa), and 1 Music Rights Societies

Song

Bitchley's Kow Korn / In Principio / Easter Nocturnal Liturgy

Artist

DJ Spooky, DJ Wally, Hugo Distler

Album

Rhythm Science

Licensed to YouTube by

Believe Music (on behalf of Subrosa)

BEVERLY RICHEY: MOVING MEDIA / ARCHIVE

BEVERLY RICHEY: MOVING MEDIA / ARCHIVE